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| sluchadlo:schop1nhauer_port_junta [2026/03/24 09:02] – created jonas | sluchadlo:schop1nhauer_port_junta [2026/03/24 09:03] (current) – jonas | ||
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| V diele Port Junta sa Slúchadlo stáva portálom, ktorý prepája poslucháčstvo so zvukom bez jasne určiteľného pôvodu a časového ukotvenia. Zvuková vrstva je premenlivá a ťažko uchopiteľná; | V diele Port Junta sa Slúchadlo stáva portálom, ktorý prepája poslucháčstvo so zvukom bez jasne určiteľného pôvodu a časového ukotvenia. Zvuková vrstva je premenlivá a ťažko uchopiteľná; | ||
| - | Schop1nhauer je hudobný projekt Juraja Čabu známy aj ako Karlo, v ktorom sa jeho temná estetika pretavuje do elektronickej produkcie. Pomocou hardvérových nástrojov a samplerov vytvára hutné surové kompozície, | + | Schop1nhauer je hudobný projekt Juraja Čabu známy aj ako Karlo, v ktorom sa jeho temná estetika pretavuje do elektronickej produkcie. Pomocou hardvérových nástrojov a samplerov vytvára hutné surové kompozície, |
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| In the work Port Junta, Slúchadlo functions as a portal that connects the listener to sound without a clear origin or temporal context. The sound unfolds in an ambiguously unstable layer where the past (samples from old cassette tapes) meets the future (excerpts from unreleased recordings and sounds created using FM synthesis). It is unclear whether this is communication or merely the capture of a random trace. The perception of sound shifts, and its continuity dissolves. The listener becomes part of this connection as a random recipient who does not know whether the sound comes from the past, present, or future. | In the work Port Junta, Slúchadlo functions as a portal that connects the listener to sound without a clear origin or temporal context. The sound unfolds in an ambiguously unstable layer where the past (samples from old cassette tapes) meets the future (excerpts from unreleased recordings and sounds created using FM synthesis). It is unclear whether this is communication or merely the capture of a random trace. The perception of sound shifts, and its continuity dissolves. The listener becomes part of this connection as a random recipient who does not know whether the sound comes from the past, present, or future. | ||